Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra – Dvorak: Cello Concerto, Silent Woods (1971/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 49:06 minutes | 0,99 GB | Genre: Classical
Studio Master, Official Digital Download | Source: HDTracks | @ EMI Classics

This remastered blockbuster features the extraordinary virtuoso Jacqueline du Pre, Daniel Barenboim and the Chicago Symphony Orchestra, as the performers explore two dynamic works by Dvorak: his Cello Concerto in B Minor, B.191, Op.104 and the Silent Woods. Jacqueline du Pre masterfully displays her outstanding technique with vivid vibrancy, while Barenboim commands the renowned orchestra.

Tracklist:
1. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: I. Allegro
2. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: II. Adagio ma non troppo
3. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: III. Finale (Allegro moderato) 13:34 AIFF 96/24 Album only
4. Anton Dvorak: “Silent Woods” (Adagio for Orchestra): B.173, Op.68/5

Soloist: Jacqueline du Pre
Orchestra: Chicago Symphony Orchestra
Conductor: Daniel Barenboim

About the Remastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI’s archive in London and comparing different sources and any previous CD reissues. We consult each recording’s job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 p inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Download:

http://www.datafile.com/d/TVRJNU1UZzBNalUF9/DvrakCellCncertSilentWdsJacquelineDuPreBarenbimHDTracks.part1.rar
http://www.datafile.com/d/TVRJNU1UZzBNalEF9/DvrakCellCncertSilentWdsJacquelineDuPreBarenbimHDTracks.part2.rar
or
http://rapidgator.net/file/50c21ba0a89d1bc77b1a0c404d75ee52/DvrakCellCncertSilentWdsJacquelineDuPreBarenbimHDTracks.part1.rar.html
http://rapidgator.net/file/ea8a31677a9f0f43fcf7ee5eb186d2cf/DvrakCellCncertSilentWdsJacquelineDuPreBarenbimHDTracks.part2.rar.html

Elizabeth Sombart, RPO, Pierre Vallet – The Art of Chopin: The Piano Concertos (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 77:18 minutes | 1,29 GB | Genre: Classical
Studio Master, Official Digital Download | Artwork: Digital booklet

Although most often associated with solo piano works, Frédéric Chopin also wrote two notoriously challenging piano concertos – and appeared as soloist at each premiere. Celebrated French pianist Elizabeth Sombart joins the London’s Royal Philharmonic Orchestra to perform Chopin’s First Concerto under the baton of Pierre Vallet. Elizabeth Sombart totally unique interpretation of the two famous and only Chopin’s concertos.

Chopin created a radically new musical language for the piano that was nevertheless strongly influenced by his love of the contemporary folk music from his native country that he was exiled from for the greater part of his creative life, Poland. The unique flavour of his expression was intimately connected to the longing he felt for a world that was vastly different in make-up and feeling from anywhere today, but the power and appeal of his compositions have long outlasted the demise of their environmental origins.

However, for the pianist and pedagogue Elizabeth Sombart, the founder of the specialised center Centre International d’Etude de la Pédagogie Résonnance (CIEPR) organised by the Fondation Résonnance, this very survival of Chopin and his particular popularity today presents a great challenge for the performer who lives in such a dissimilar ambience from the far more intimate atmosphere that Chopin evoked. Whereas of course the worlds of all the great 19th Century composers were completely different from life as it is today, for Madame Sombart the changed situation brings especially critical issues for the understanding and interpretation of Chopin’s music. The music of Chopin has been a lifelong preoccupation for Elizabeth Sombart not only as a performer but also as a pedagogue, and indeed the methodical and phenomenological teaching of piano style and technique in the works of a very wide range of composers has been a major part of her life for many years. She established the internationally operating Fondation Résonnance to give students not just a rigorous technical education but also a deep understanding of the broad-ranging expressive potential of the piano.

Especially in the case of Chopin’s music, for Elizabeth Sombart this means instilling a profound awareness of spatial and ephemeral elements – characteristics that she feels are particularly elusive to sense and realise in today’s world. As she points out, even the most meticulous application of processes aligning thought and feeling cannot guarantee the strangely evanescent magic that is so centrally inherent in the music of Chopin but is often so unattainable in performance. Environmental conditions, always a crucial factor in any artistic recreation, are maybe even more critical for the performance of Chopin’s oeuvre than most other composers’ in this respect, and that is a fundamental reason why Elizabeth Sombart has waited so long in her distinguished career before feeling able to make studio recordings of Chopin’s two Piano Concertos. For several decades Elizabeth Sombart has been specially admired by connoisseurs as a highly idiomatic interpreter of the challengingly demanding music of Chopin, but only now has she found the ideal conditions to conjure up the composer’s ephemeral, almost dream like world while playing with the Royal Philharmonic Orchestra in the literal environment of Abbey Road studios. Those conditions have materialised through discovering the conductor Pierre Vallet and the RPO who have been ideal partners in her task, achieving the precarious balance of fleeting freedom and faultless precision that Chopin’s music requires.

Tracklist:
01 – Piano Concerto No. 1, Op. 11: I. Allegro maestoso
02 – Piano Concerto No. 1, Op. 11: II. Larghetto
03 – Piano Concerto No. 1, Op. 11: III. Rondo: Vivace
04 – Piano Concerto No. 2, Op. 21: I. Maestoso
05 – Piano Concerto No. 2, Op. 21: II. Larghetto
06 – Piano Concerto No. 2, Op. 21 III. Allegro vivace

Elizabeth Sombart – piano
Royal Philharmonic Orchestra, Conducted by Pierre Vallet

Download:

http://www.datafile.com/d/TVRNeE5qVXlNRFEF9/ElizabethSmbartRPPierreValletTheArtfChpin.ThePianCncerts2015Qbuz2496.part1.rar
http://www.datafile.com/d/TVRNeE5qUTNPRGMF9/ElizabethSmbartRPPierreValletTheArtfChpin.ThePianCncerts2015Qbuz2496.part2.rar
or
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http://rapidgator.net/file/3053b7627fa6270dfcccaaa946ca3d73/ElizabethSmbartRPPierreValletTheArtfChpin.ThePianCncerts2015Qbuz2496.part2.rar.html

Escher String Quartet – Mendelssohn: String Quartets Nos. 1 & 4 (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 80:10 minutes | 1,48 GB | Genre: Classical
Studio Master, Official Digital Download | Source: eClassical | Artwork: Covers & Digital booklet  |  @ BIS

Founded in 2005, the Escher String Quartet is still a young ensemble as string quartets go. It has nevertheless become established as one of the most exciting quartets around, both in its home country, the U.S.A., and elsewhere, recently being shortlisted for a BBC Music Magazine Award. With their début disc on BIS, the Eschers launch a three-disc cycle of Mendelssohn’s string quartets…

The Escher Quartet replaced their cellist last month, and it will be interesting to hear whether the new lineup will affect their sound in the rest of their Mendelssohn cycle – this is the first disc in a planned series of three. If it doesn’t, all to the good: as recorded here, the Eschers sound warm, relaxed and responsive to all of Mendelssohn’s expressive nuances. Based in New York, the quartet are former BBC New Generation Artists, and proteges of the Emersons. They lavish full, red-blooded tone on the slow movement of the genial Quartet No 1, and in the restless Quartet No 4 they keep the momentum striving forward, with first violinist Adam Barnett-Hart spinning long, seamless phrases. In the middle comes the unnumbered E flat major quartet, written when Mendelssohn was 14, and if it finds the composer aping his elders, it’s a proficient and at times inspired imitation that they would definitely have found flattering.

Tracklist:
01 – Quartet No.1 in E flat major, Op.12, MWV R25 (1829) – I. Adagio non troppo – Allegro non tardante
02 – Quartet No.1 in E flat major, Op.12, MWV R25 (1829) – II. Canzonetta. Allegretto
03 – Quartet No.1 in E flat major, Op.12, MWV R25 (1829) – III. Andante espressivo
04 – Quartet No.1 in E flat major, Op.12, MWV R25 (1829) – IV. Molto allegro e vivace
05 – Quartet in E flat major, MWV R18 (1823) – I. Allegro moderato
06 – Quartet in E flat major, MWV R18 (1823) – II. Adagio non troppo
07 – Quartet in E flat major, MWV R18 (1823) – III. Minuetto. Trio
08 – Quartet in E flat major, MWV R18 (1823) – IV. Fuga
09 – Quartet No.4 in E minor, Op.44 No.2, MWV R26 (1837) – I. Allegro assai appassionato
10 – Quartet No.4 in E minor, Op.44 No.2, MWV R26 (1837) – II. Scherzo. Allegro di molto
11 – Quartet No.4 in E minor, Op.44 No.2, MWV R26 (1837) – III. Andante
12 – Quartet No.4 in E minor, Op.44 No.2, MWV R26 (1837) – IV. Presto agitato

Produced and Engineeed by Thore Brinkmann.
Recorded: April 2014 at Potton Hall, Suffolk, England.

Musicians:
Adam Barnett-Hart – violin
Aaron Boyd – violin
Pierre Lapointe – viola
Dane Johansen – cello

Download:

http://www.datafile.com/d/TVRNeE5qVXdOalUF9/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part1.rar
http://www.datafile.com/d/TVRNeE5qVXdPREUF9/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part2.rar
http://www.datafile.com/d/TVRNeE5qVXdOamsF9/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part3.rar
or
http://rapidgator.net/file/8dfc6bc92649c5f7ea1e5467152be031/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part1.rar.html
http://rapidgator.net/file/7463e284e1cfad23566a18ac8cac04a0/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part2.rar.html
http://rapidgator.net/file/5218d1f9b8f90acfccda6cf3bb31ba4f/EscherStringQuartetMendelsshn.StringQuartetsNs.142015eClassical2496.part3.rar.html

Glenn Gould – The Sound Of Glenn Gould (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time – 76:46 minutes | 706 MB | Genre : Classical
Studio Master, Official Digital Download | Source: Qobuz | Artwork: Digital booklet | @ Sony Classical

In 1956 Glenn Gould’s first Columbia Masterworks release, Bach’s Goldberg Variations, took the music world by storm and immediately established the 23-year-old Canadian pianist as one of the most brilliant, original, charismatic and provocative classical performers of his time. Sixty years later, Gould’s prolific recorded output remains a stimulating presence, thanks to Sony Classical’s newly remastered collection of his complete authorized recordings in an 81-CD limited edition. The Sound of Glenn Gould presents highlights from this definitive presentation of the legendary pianist’s discography.

Tracklist:
01 – Bach: Goldberg Variations, BWV 988 – Highlights: Aria
02 – Bach: Goldberg Variations, BWV 988 – Highlights: Variation 1 a 1 Clav.
03 – Bach: Goldberg Variations, BWV 988 – Highlights: Variation 2 a 1 Clav.
04 – Bach: Goldberg Variations, BWV 988 – Highlights: Variation 3 a 1 Clav. Canone all’ Unisuono
05 – Brahms: Intermezzo No. 2 in A Major, Op. 118 – Andante teneramente
06 – Bach: Concerto for Piano and Orchestra No. 5 in F Minor, BWV 1056: II. Largo
07 – Beethoven: Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 “Moonlight”: I. Adagio sostenuto
08 – Bach: Keyboard Concerto No. 2 in E Major, BWV 1053: II. Siciliano
09 – Mozart: Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca – Allegretto
10 – Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, Op. 58: III. Rondo: Vivace
11 – Haydn: Sonata in D Major, Hob. XVI:51: I. Andante
12 – Bach: Keyboard Concerto No. 3 in D Major, BWV 1054: I. Allegro
13 – Sibelius: Three Sonatines for Piano, Op. 67:Sonatina No.1 in F-Sharp Minor: III. Allegro moderato
14 – Bach: Invention No. 8 in F Major, BWV 779
15 – Beethoven: : Sonata No. 17 in D Minor, Op. 31, No. 2 “The Tempest”: III. Allegretto
16 – Bach: Italian Concerto in F Major, BWV 971 – Version of 1959: I. [ – Version of 1959
17 – Strauss: Fünf Klavierstücke, Op. 3: I. Andante
18 – Beethoven: Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile
19 – Bach: 6 Little Preludes, BWV 933-938: Praeludium in C Major, BWV 933
20 – Bach: Goldberg Variations, BWV 988 (1981) – Highlights: Variation 30 a 1 Clav. Quodlibet
21 – Bach: Goldberg Variations, BWV 988 (1981) – Highlights: Aria da capo

Download:

http://www.datafile.com/d/TVRNeE5qVXhPRE0F9/GlennGuldTheSundfGlennGuld2015Qbuz24441.part1.rar
http://www.datafile.com/d/TVRNeE5qVXhOekEF9/GlennGuldTheSundfGlennGuld2015Qbuz24441.part2.rar
or
http://rapidgator.net/file/64484b9a5b7885ca2b1f53543f59ef18/GlennGuldTheSundfGlennGuld2015Qbuz24441.part1.rar.html
http://rapidgator.net/file/5e37896fe9428a412d15c7dc171d287a/GlennGuldTheSundfGlennGuld2015Qbuz24441.part2.rar.html

Release Name: The_Catalyst_Quartet-Bach_Gould_Project-2015-ERP
Artist: The Catalyst Quartet
Album: Bach/Gould Project
Genre: Classical
Year: 2015
Tracks: 33
Duration: 01:15:50
Size: 119.49 MB

Tracklist:

1. The Catalyst Quartet – Bach: Aria – 2:09 (219 kbps , 3.37 MB)
2. The Catalyst Quartet – Bach: Variation 1 – 0:56 (221 kbps , 1.48 MB)
3. The Catalyst Quartet – Bach: Variation 2 – 0:41 (221 kbps , 1.07 MB)
4. The Catalyst Quartet – Bach: Variation 3 Canone All’ Unisono – 1:02 (221 kbps , 1.64 MB)
5. The Catalyst Quartet – Bach: Variation 4 – 0:29 (220 kbps , 775.64 KB)
6. The Catalyst Quartet – Bach: Variation 5 – 0:44 (225 kbps , 1.18 MB)
7. The Catalyst Quartet – Bach: Variation 6 Canone Alla Seconda – 0:37 (218 kbps , 983.16 KB)
8. The Catalyst Quartet – Bach: Variation 7 – 1:01 (223 kbps , 1.63 MB)
9. The Catalyst Quartet – Bach: Variation 8 – 0:57 (221 kbps , 1.51 MB)
10. The Catalyst Quartet – Bach: Variation 9 Canone Alla Terza – 0:51 (220 kbps , 1.33 MB)
11. The Catalyst Quartet – Bach: Variation 10 Fughetta – 0:44 (219 kbps , 1.15 MB)
12. The Catalyst Quartet – Bach: Variation 11 – 0:56 (224 kbps , 1.5 MB)
13. The Catalyst Quartet – Bach: Variation 12 Canone Alla Quarta – 1:01 (219 kbps , 1.6 MB)
14. The Catalyst Quartet – Bach: Variation 13 – 2:57 (223 kbps , 4.7 MB)
15. The Catalyst Quartet – Bach: Variation 14 – 1:07 (221 kbps , 1.78 MB)
16. The Catalyst Quartet – Bach: Variation 15 Canone Alla Quinta – 2:24 (220 kbps , 3.78 MB)
17. The Catalyst Quartet – Bach: Variation 16 Overture – 1:29 (221 kbps , 2.35 MB)
18. The Catalyst Quartet – Bach: Variation 17 – 1:07 (221 kbps , 1.76 MB)
19. The Catalyst Quartet – Bach: Variation 18 Canone Alla Sesta – 0:43 (223 kbps , 1.14 MB)
20. The Catalyst Quartet – Bach: Variation 19 – 0:56 (223 kbps , 1.49 MB)
21. The Catalyst Quartet – Bach: Variation 20 – 1:06 (222 kbps , 1.75 MB)
22. The Catalyst Quartet – Bach: Variation 21 Canone Alla Settima – 1:16 (219 kbps , 1.98 MB)
23. The Catalyst Quartet – Bach: Variation 22 – 0:37 (220 kbps , 1003.38 KB)
24. The Catalyst Quartet – Bach: Variation 23 – 1:02 (226 kbps , 1.68 MB)
25. The Catalyst Quartet – Bach: Variation 24 Campme All’ Ottova – 1:16 (220 kbps , 2 MB)
26. The Catalyst Quartet – Bach: Variation 25 – 4:33 (218 kbps , 7.12 MB)
27. The Catalyst Quartet – Bach: Variation 26 – 1:04 (223 kbps , 1.71 MB)
28. The Catalyst Quartet – Bach: Variation 27 Canone Alla Nona – 0:56 (222 kbps , 1.48 MB)
29. The Catalyst Quartet – Bach: Variation 28 – 1:08 (221 kbps , 1.8 MB)
30. The Catalyst Quartet – Bach: Variation 29 – 1:06 (223 kbps , 1.76 MB)
31. The Catalyst Quartet – Bach: Variation 30 Quodlibet – 1:03 (222 kbps , 1.68 MB)
32. The Catalyst Quartet – Bach: Aria Da Capo – 2:21 (218 kbps , 3.65 MB)
33. The Catalyst Quartet – Gould: String Quartet op. 1 – 35:46 (218 kbps , 55.74 MB)

Download Links :

http://www.datafile.com/d/TVRNeU5UazNNak0F9/The_Catalyst_Quartet-Bach_Gould_Project-2015-ERP.rar

or

http://rapidgator.net/file/cdc454b5ff4c824553e9682dba2612cb/The_Catalyst_Quartet-Bach_Gould_Project-2015-ERP.rar.html

Jacqueline du Pré , English Chamber Orchestra – Haydn & Boccherini: Cello Concertos (1967/2011)
FLAC (tracks) 24 bit/96 kHz | Time – 48:49 minutes | 1,01 GB | Genre: Classical
Official Digital Download – Source: HDTracks.com | Front cover | @ EMI Classics

This pivotal recording features classic performances of late eighteenth-century cello concertos, one by Haydn and Friedrich Grutzmacher’s 1895 arrangement of Boccherini’s work in B flat. The album demonstrates the enormous gifts of Jacqueline du Pre. Recorded in London in 1967, Jacqueline du Pre is accompanied by her husband Daniel Barenboim and the English Chamber Orchestra.

Tracklist:
01 – Cello Concerto No. 1 in C, Hob. VIIb:1: I. Moderato – Cadenza
02 – Cello Concerto No. 1 in C, Hob. VIIb:1: II. Adagio – Cadenza
03 – Cello Concerto No. 1 in C, Hob. VIIb:1: III. Allegro molto
04 – Cello Concerto in B Flat: I. Allegro moderato – Cadenza
05 – Cello Concerto in B Flat: II. Adagio non troppo
06 – Cello Concerto in B Flat: III. Rondo (Allegro) – Cadenza

Soloist: Jacqueline du Pre
Conductor: Daniel Bareboim
Orchestra: English Chamber Orchestra

About the Mastering:
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI’s archive in London and comparing different sources and any previous CD reissues. We consult each recording’s job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.
In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation. (Simon Gibson, January 2012)

Download:

http://www.datafile.com/d/TVRNeU16Z3dNalkF9/Jacqu3lin3duPr3HaydnBocch3riniC3lloConc3rtos196720112HDTracks2496.part1.rar
http://www.datafile.com/d/TVRNeU16Z3dNalUF9/Jacqu3lin3duPr3HaydnBocch3riniC3lloConc3rtos196720112HDTracks2496.part2.rar
or
http://rapidgator.net/file/d47403d67a8dac508aeb47480ae7945c/Jacqu3lin3duPr3HaydnBocch3riniC3lloConc3rtos196720112HDTracks2496.part1.rar.html
http://rapidgator.net/file/a537fe156fbf3d9408be4f39e9e30d0b/Jacqu3lin3duPr3HaydnBocch3riniC3lloConc3rtos196720112HDTracks2496.part2.rar.html

Jacqueline du Pré, Daniel Barenboim – Brahms: Cello Sonatas 1 & 2 (1968/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 54:26 minutes | 1,05 GB | Genre: Classical
Studio Master, Official Digital Download | Artwork: Front cover | @ EMI Classics

Acclaimed instrumentalists, Jacqueline du Pre and Daniel Barenboim, perform earlier masterpieces by Brahms. These sonatas written for cello and piano invoke the romantic style, interpreted superbly by the pair. The performances are expressive, graceful and reveal the pieces’ sheer tonal beauty. A vital addition to any music lover’s library.

Tracklist:
01 – Cello Sonata No.1 in E Minor, Op.38 – I. Allegro non troppo
02 – Cello Sonata No.1 in E Minor, Op.38 – II. Allegretto quasi Menuetto & Trio
03 – Cello Sonata No.1 in E Minor, Op.38 – III. Allegro
04 – Cello Sonata No.2 in F Major, Op.99 – I. Allegro vivace
05 – Cello Sonata No.2 in F Major, Op.99 – II. Adagio affettuoso
06 – Cello Sonata No.2 in F Major, Op.99 – III. Allegro passionato
07 – Cello Sonata No.2 in F Major, Op.99 – IV. Allegro molto

About the Mastering:
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI’s archive in London and comparing different sources and any previous CD reissues. We consult each recording’s job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.
In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation. (Simon Gibson, January 2012)

Download:

http://www.datafile.com/d/TVRNeU16Z3dNakEF9/Jacqu3lin3duPr3Dani3lBar3nboimBrahms.C3lloSonatas1219682012HDTracks2496.part1.rar
http://www.datafile.com/d/TVRNeU16Z3dNVE0F9/Jacqu3lin3duPr3Dani3lBar3nboimBrahms.C3lloSonatas1219682012HDTracks2496.part2.rar
or
http://rapidgator.net/file/8e9a34b00b3a3e19a0789a6036e9eb79/Jacqu3lin3duPr3Dani3lBar3nboimBrahms.C3lloSonatas1219682012HDTracks2496.part1.rar.html
http://rapidgator.net/file/df770ffe2bcac36fde21e1210461cd66/Jacqu3lin3duPr3Dani3lBar3nboimBrahms.C3lloSonatas1219682012HDTracks2496.part2.rar.html

Leipziger Streichquartett – Joseph Haydn: String Quartets Vol.1 (2009)
“The Seven Last Words of Our Saviour on the Cross (Hob. XX:1B, op.51)”
FLAC (tracks) 24 bit/88,2 kHz | Time – 66:09 minutes | 1,16 GB | Genre: Classical
Official Digital Download – Source: HDTracks.com | Digital booklet | @ MDG Records

The Leipzig String Quartet offers fitting tribute to Joseph Haydn on the occasion of the two hundredth anniversary of his death with its own commemorative edition. Vol. 1 presents ‘The Seven Last Words of Christ’, a passion composition for orchestra from 1786 that a priest had ordered from Haydn for the traditional Good Friday ceremony in the little Chapel of Santa Cueva in Cadiz in southern Spain. Later Haydn himself arranged this work for string quartet.

Tracklist:
01 – L’introduzione
02 – Sonata I. Pater, dimitte illis
03 – Sonata II. Hodie mecum eris in Paradiso
04 – Sonata III. Mulier ecce filius tuus
05 – Sonata IV. Deus meus, Deus meus
06 – Sonata V. Sitio
07 – Sonata VI. Consummatum est
08 – Sonata VII. In manus tuas Domine
09 – Il terremoto

Produced by Werner Dabrighaus & Reimund Grimm.
Recorded: July 11-12, 2008 in Ehem.

Musicians:
Stefan Arzberger – violin
Tilman Büning – violin
Ivo Bauer – viola
Matthias Moosdorf – violoncello

Download:

http://www.datafile.com/d/TVRNeU9URTNNVGcF9/L3ipzig3rStr3ichquart3ttHaydn.StringQuart3tsVol.12009HDTracks24882.part1.rar
http://www.datafile.com/d/TVRNeU9URTNNVGsF9/L3ipzig3rStr3ichquart3ttHaydn.StringQuart3tsVol.12009HDTracks24882.part2.rar
or
http://rapidgator.net/file/9d2cf6cb5829dec34c46251eabad9831/L3ipzig3rStr3ichquart3ttHaydn.StringQuart3tsVol.12009HDTracks24882.part1.rar.html
http://rapidgator.net/file/b321e73ec722e5c4b029010f433651df/L3ipzig3rStr3ichquart3ttHaydn.StringQuart3tsVol.12009HDTracks24882.part2.rar.html

Release Name: Ludovico_Einaudi-Elements_(Deluxe)-WEB-2015-ENTiTLED
Artist: Ludovico Einaudi
Album: Elements (Deluxe)
Genre: Classical
Year: 2015
Tracks: 15
Duration: 01:15:38
Size: 173.39 MB

Tracklist:

1. Ludovico Einaudi – Petricor – 6:35 (320 kbps , 15.07 MB)
2. Ludovico Einaudi – Night – 5:31 (320 kbps , 12.61 MB)
3. Ludovico Einaudi – Drop – 5:00 (320 kbps , 11.46 MB)
4. Ludovico Einaudi – Four Dimensions – 4:42 (320 kbps , 10.77 MB)
5. Ludovico Einaudi – Elements – 6:06 (320 kbps , 13.96 MB)
6. Ludovico Einaudi – Whirling Winds – 5:59 (320 kbps , 13.68 MB)
7. Ludovico Einaudi – Twice – 5:22 (320 kbps , 12.27 MB)
8. Ludovico Einaudi – ABC – 3:06 (320 kbps , 7.08 MB)
9. Ludovico Einaudi – Numbers – 4:36 (320 kbps , 10.51 MB)
10. Ludovico Einaudi – Mountain – 6:13 (320 kbps , 14.24 MB)
11. Ludovico Einaudi – Logos – 6:23 (320 kbps , 14.63 MB)
12. Ludovico Einaudi – Song For Gavin – 3:19 (320 kbps , 7.59 MB)
13. Ludovico Einaudi – Drop Variation – 3:49 (320 kbps , 8.73 MB)
14. Ludovico Einaudi – Elements Variation – 3:39 (320 kbps , 8.36 MB)
15. Ludovico Einaudi – Twice Variation – 5:26 (320 kbps , 12.42 MB)

Download Links :

http://www.datafile.com/d/TVRNek5UVTBOelkF9/Ludovico_Einaudi-Elements_(Deluxe)-WEB-2015-ENTiTLED.rar

or

http://rapidgator.net/file/7b85874e7f159ebaf065c65e89e90ec9/Ludovico_Einaudi-Elements_(Deluxe)-WEB-2015-ENTiTLED.rar.html

Release Name: Ludovico_Einaudi_-_Elements-2015-DDS
Artist: Ludovico Einaudi
Album: Elements
Genre: Classical
Year: 2015
Tracks: 12
Duration: 01:02:46
Size: 96.4 MB

Tracklist:

1. Ludovico Einaudi – Petricor – 6:35 (222 kbps , 10.44 MB)
2. Ludovico Einaudi – Night – 5:31 (217 kbps , 8.57 MB)
3. Ludovico Einaudi – Drop – 5:00 (208 kbps , 7.46 MB)
4. Ludovico Einaudi – Four Dimensions – 4:42 (219 kbps , 7.37 MB)
5. Ludovico Einaudi – Elements – 6:06 (208 kbps , 9.1 MB)
6. Ludovico Einaudi – Whirling Winds – 5:59 (218 kbps , 9.32 MB)
7. Ludovico Einaudi – Twice – 5:21 (228 kbps , 8.76 MB)
8. Ludovico Einaudi – ABC – 3:06 (205 kbps , 4.54 MB)
9. Ludovico Einaudi – Numbers – 4:36 (200 kbps , 6.56 MB)
10. Ludovico Einaudi – Mountain – 6:13 (212 kbps , 9.43 MB)
11. Ludovico Einaudi – Logos – 6:23 (220 kbps , 10.04 MB)
12. Ludovico Einaudi – Song For Gavin – 3:19 (203 kbps , 4.8 MB)

Download Links :

http://www.datafile.com/d/TVRNek9UWTBNelEF9/Ludovico_Einaudi_-_Elements-2015-DDS.rar

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http://rapidgator.net/file/be2dad03816654ca8e89ed5b191cc667/Ludovico_Einaudi_-_Elements-2015-DDS.rar.html

Gustav Mahler – Symphony No.9 – Royal Concertgebouw Orchestra, Riccardo Chailly (2004) 
FLAC (tracks) 24 bit/96 kHz | Time – 01:29:57 minutes | 1,72 GB | Genre: Classical
Studio Master, Official Digital Download | Source: Qobuz | @ Decca
Recorded: June 2004, Concertgebouw, Grote Zaal, Amsterdam, Netherlands

Mahler’s final completed symphony provides both a fitting conclusion to Chailly’s highly acclaimed cycle and a valediction after his decade and a half at the helm of the magnificent Concertgebouw Orchestra. It was the last work Chailly conducted as the orchestra’s music director, and he made this disc directly after that final concert. The work’s four movements are an epic 90 minutes of tumultuous emotions dominated by the motif of Death (by the time Mahler began composing the work in 1909 he knew that he had only a short time to live). The two outer movements, each lasting roughly half an hour, are concerned with calm resignation and the agony of farewell; the two central movements, a gruesome Scherzo and a dissonant ‘Rondo-Burleske’, are ruled by the demonic element of Death.

The Ninth is generally reckoned to be the most difficult of all Mahler’s symphonies to bring off, equally demanding for the performers and for the listener, and Chailly’s realization is as gripping as it is disturbing. The balance and clarity of orchestral detail, from the frenzy of the Rondo to the almost imperceptible closing bars of the final Adagio, is brilliantly captured.

“The Ninth is generally reckoned to be the most difficult of all Mahler’s symphonies to bring off, equally demanding for the performers and for the listener, and Chailly’s realisation is as gripping as it is disturbing. The balance and clarity of orchestral detail, from the frenzy of the Rondo to the almost imperceptible closing bars of the final Adagio, is brilliantly captured.” –ClassicFM

“The Royal Concertgebouw Orchestra is one of the last [orchestras] to really have an immediately identifiable sound, and to arguably (to an extent) plumb the character of composers in the way an actor will with his roles.” –Gramophone

Tracklist:
Gustav Mahler (1860 – 1911)
Symphony No.9 in D
1-1. 1. Satz 30:32
2-1. 2. Satz 16:56
2-2. 3. Satz 14:02
2-3. 4. Satz 28:27

Personnel:
Royal Concertgebouw Orchestra
Riccardo Chailly, conductor

Download:

http://www.datafile.com/d/TVRNME1qa3dOakEF9/Mahl3rSymphonyNo.9RoyalConc3rtg3bouwOrch3straRiccardoChailly20049624.part1.rar
http://www.datafile.com/d/TVRNME1qa3dOVGsF9/Mahl3rSymphonyNo.9RoyalConc3rtg3bouwOrch3straRiccardoChailly20049624.part2.rar
http://www.datafile.com/d/TVRNME1qa3dOamMF9/Mahl3rSymphonyNo.9RoyalConc3rtg3bouwOrch3straRiccardoChailly20049624.part3.rar
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Masaaki Suzuki plays Bach Organ Works (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 79:27 minutes | 1,41 GB | Genre: Classical
Studio Master, Official Digital Download | Source: eClassical | Artwork: Covers & Digital booklet

The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of Johann Sebastian Bach – as a reviewer in International Record Guide has put it: ‘With Suzuki you can hear Bach’s heart beat’. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble’s acclaimed recordings of Bach’s complete sacred cantatas. Perhaps less well known is that he began his career – at the age of 12! – playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach’s German Organ Mass, as well as programmes of Buxtehude and Sweelinck. He here appears on a disc which combines some of Bach’s best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on ‘O Gott, du frommer Gott’, BWV 767, the Canonic Variations, BWV 769, and the celebrated Prelude and Fugue in E minor, BWV 548. The recording was made in Groningen’s Martinikerk, with Suzuki performing on the renowned organ, one of the most important and impressive in the Netherlands.

Tracklist:
01 – Toccata and Fugue in D minor, BWV565: Toccata
02 – Toccata and Fugue in D minor, BWV565: Fugue
03 – Pastorale (Pastorella) in F major, BWV590: [F major] 04 – Pastorale (Pastorella) in F major, BWV590: [C major] 05 – Pastorale (Pastorella) in F major, BWV590: [C minor] 06 – Pastorale (Pastorella) in F major, BWV590: [F major] 07 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita I
08 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita II (a 2 Clav.)
09 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita III
10 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita IV
11 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita V
12 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita VI
13 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita VII
14 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita VIII
15 – Partite diverse sopra il Corale ‘O Gott, du frommer Gott’, BWV767: Partita IX (a 2 Clav.)
16 – Fantasia (Pièce d’orgue) in G major, BWV572
17 – Prelude and Fugue in G minor, BWV535: Prelude
18 – Prelude and Fugue in G minor, BWV535: Fugue
19 – Canonic Variations on ‘Vom Himmel hoch da komm’ ich her’, BWV769: I. Canone all’ Ottava
20 – Canonic Variations on ‘Vom Himmel hoch da komm’ ich her’, BWV769: II. Alio modo in Canone alla Quinta
21 – Canonic Variations on ‘Vom Himmel hoch da komm’ ich her’, BWV769: III. Canone alla Settima
22 – Canonic Variations on ‘Vom Himmel hoch da komm’ ich her’, BWV769: IV. Canon all’ Ottava per augmentationem
23 – Canonic Variations on ‘Vom Himmel hoch da komm’ ich her’, BWV769: V. L’altra sorte del Canone all’ rovescio
24 – Prelude and Fugue in E minor, BWV548: Prelude
25 – Prelude and Fugue in E minor, BWV548: Fugue

Producer and Sound Engineer: Hans Kipfer (Takes Music Production)
Recorded in July 2014 at the Martin’s Church, Groningen, The Netherlands.
Masaaki Suzuki playing the Schnitger/Hinz organ.

Download:

http://www.datafile.com/d/TVRNME1qa3dOekEF9/MasaakiSuzukiBach.OrganWorks20153Classical2496.part1.rar
http://www.datafile.com/d/TVRNME1qa3dPREUF9/MasaakiSuzukiBach.OrganWorks20153Classical2496.part2.rar
http://www.datafile.com/d/TVRNME1qa3dOekUF9/MasaakiSuzukiBach.OrganWorks20153Classical2496.part3.rar
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http://rapidgator.net/file/60cf44352306da20f4f0821f265fb30a/MasaakiSuzukiBach.OrganWorks20153Classical2496.part1.rar.html
http://rapidgator.net/file/820401374d54b89804131838b4d5f7f7/MasaakiSuzukiBach.OrganWorks20153Classical2496.part2.rar.html
http://rapidgator.net/file/41cab0a60cecbf65487c3c6d07e4818b/MasaakiSuzukiBach.OrganWorks20153Classical2496.part3.rar.html

Michael Tilson Thomas, San Francisco Symphony – American Mavericks (2012)
FLAC (tracks) 24 bit/96kHz | Time – 73:24 minutes | 1,41 GB | Genre: Classical
Official Digital Download – Source: HDTracks.com | Front cover | @ San Francisco Symphony

The latest album from Michael Tilson Thomas and the GRAMMY Award-winning San Francisco Symphony features breathtaking live recordings from the SFS’ widely acclaimed American Mavericks festival. American Mavericks includes scintillating performances of four works by three influential twentieth century masters: Henry Cowell’s Synchrony and his Piano Concerto, Lou Harrison’s Concerto for Organ with Percussion Orchestra and Edgard Varese’s Ameriques and the orchestral siren that has influenced generations of composers.

Tilson Thomas and the San Franciscans were at their best in honoring the monuments of the maverick tradition… Other orchestras hardly touch this music, but in San Francisco it has become standard fare, and the authority of the playing was staggering. — Alex Ross, The New Yorker

Tracklist:
01 – Synchrony
02 – Piano Concerto – I. Polyharmony
03 – Piano Concerto – II. Tone Cluster
04 – Piano Concerto – III. Counter Rhythm
05 – Concerto for Organ with Percussion Orchestra – I. Allegro
06 – Concerto for Organ with Percussion Orchestra – II. Andante (Siciliana in the form of a double canon)
07 – Concerto for Organ with Percussion Orchestra – III. Largo
08 – Concerto for Organ with Percussion Orchestra – IV. Canons and Choruses (Moderato)
09 – Concerto for Organ with Percussion Orchestra – V. Allegro (Finale)
10 – Ameriques (1927 version)

With Soloists: Jeremy Denk, Paul Jacobs.

Download:

http://www.datafile.com/d/TVRNME1qa3hOelEF9/Micha3lTilsonThomasSanFranciscoSymphonyAm3ricanMav3ricks2012HDTracks2496.part1.rar
http://www.datafile.com/d/TVRNME1qa3hPREkF9/Micha3lTilsonThomasSanFranciscoSymphonyAm3ricanMav3ricks2012HDTracks2496.part2.rar
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or
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http://rapidgator.net/file/8af05d868fdfd9dec2b09bdc863e3251/Micha3lTilsonThomasSanFranciscoSymphonyAm3ricanMav3ricks2012HDTracks2496.part3.rar.html

Minoritenkonvent – Manuscript XIV 726 – Stephanie Paulet, Elisabeth Geiger (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 1:12:32 minutes | 1,35 GB | Genre: Classical
Studio Master, Official Digital Download | Source: Qobuz | @ Muso
Recorded: at the Eglise Sainte-Madeleine in Strasbourg (France) from 31 July to 3 August 2014

Stéphanie Paulet once more scores a hit with this project that reveals the flourishing violin activity in the late 17th century to the North of the Alps. Accompanied by a ‘positive’ organ of exceptional sound quality, her violin sings, leaps and makes us vibrate through the aural beauty of this disc, enhanced as it is by quite simply magnificent sound engineering.

Ce disque permet de révéler des œuvres de Heinrich Ignaz Franz Biber, Giovanni Buonaventura Viviani, Jan Ignaz Frantisek Vojta, Nikolaus Faber, Johann Caspar Teubner, ainsi que d’anonymes. Elles sont extraites du Manuscrit XIV 726 du Couvent des Minorites de Vienne, illustrant la grande vogue du violon en Autriche au XVIIe siècle. Il est réalisé par Stéphanie Paulet (violon) et Elisabeth Geiger à l’Orgue André Silbermann (1719) appartenant au Musée des Arts Décoratifs de Strasbourg, restauré en 2011 dans l’état d’origine par Quentin Blumenroeder, qui rappelle que « les archives de Silbermann mentionnent d’ailleurs le fait que l’instrument sonne assez fort dans la chapelle » et qu’il est actuellement déposé à l’Église Sainte-Madeleine de cette ville ; il a été inauguré et béni les 14 et 15 décembre 2012. Il peut assumer un continuo ou un rôle de concertant. (À l’époque de Heinrich Ignaz Franz Biber, le choix de l’instrumentation pour le continuo est libre).
Ces œuvres revêtent un caractère méditatif, intime, illustratif ou dansant, faisant souvent appel aux jeux d’anches (cromorne…). Le programme comprend essentiellement des Sonates ainsi qu’une Toccata. Elles nécessitent des accords spécifiques (scordatura) voire inhabituels et spéculant sur l’effet de résonance. Stéphanie Paulet s’impose par sa sonorité lumineuse et, avec Elisabeth Geiger, elles forment une équipe bien équilibrée au service d’une haute expressivité. Par leur intériorité, ces œuvres sont proches de la musique religieuse. Heinrich Ignaz Franz Biber (1644-1704), violoniste virtuose et compositeur austro-tchèque, pratique tous les genres musicaux de l’époque dont la Sonate, par exemple sa Sonate n°11, qui est plus développée. Giovanni Buonaventura Viviani (1638-1693) — violoniste italien baroque et compositeur de Sonates pour violon et basse continue, entre autres —, après avoir été maître de chapelle à la Cour d’Innsbruck, a séjourné en Italie où, en 1687, il est maître de chapelle de la Cathédrale de Pistoia en Toscane. Sa Sonate exige une haute virtuosité violonistique avec notamment des traits fulgurants. Le tchèque Jan Ignaz Frantisek Vojta (v. 1660-v. 1725), à la fois compositeur et docteur en musique, a été actif à Prague, Brno, Vienne et Paris. Il mérite amplement d’être redécouvert. Ses œuvres ne peuvent être interprétées que par des instrumentistes chevronnés. Sa Sonate n°70, particulièrement expressive, gagne à être recréées. La Sonate n°2 de Nikolaus Faber (peu connu) fait appel à la technique de la scordatura, ce qui, pour les violonistes actuels, complique encore la lecture et l’interprétation. Enfin, la Toccata n° 94 de Johann Caspar Teubner (1661-1697), actif à Vienne dans la seconde moitié du XVIIe siècle, illustre merveilleusement les réalisations de l’école autrichienne de violon. Grâce au décryptage du manuscrit du Couvent viennois des Minorites, à la qualité sonore des instruments et aux efforts inlassables des deux interprètes : révélations discographiques à ne pas manquer.
Édith Weber.

Tracklist:
Heinrich Ignaz Franz Biber (1644-1704) / Anonymous
1 | Sonata in E Major No.84 / Sonata in A Major No.77
Anonymous
2 | Sonata in F Minor No. 87 (6:58)
3 | Sonata in D Major No.4 (5:32)
Giovanni Buonaventura Viviani (1638-1693)
4 | Sonata in A Minor No.90 (8:25)
Anonymous
5 | Sonata in C Minor No. 75 (9:11)
Jan Ignác František Vojta (ca.1660-ca.1725)
6 | Sonata in B Minor No.70 (8:37)
Nikolaus Faber (†1673)
7 | Sonata in E Major No.2 (5:50)
Heinrich Ignaz Franz Biber
8 | Sonata in E Minor No.11 (11:12)
Johann Caspar Teibner (b.1661-1697)
9 | Toccata in A Minor No. 94 & Sonata in D Minor No. 88, (8:32)

Personnel:
Stéphanie Paulet, violin
Elisabeth Geiger, organ

Download:

http://www.datafile.com/d/TVRNME1qa3hPRGMF9/Minorit3nkonv3ntManuscriptXIV726St3phani3Paul3t3lisab3thG3ig3r2015MUSOStudioMast3r96kHz24bit.part1.rar
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Morton Feldman – Violin And Orchestra – Carolin Widmann, Frankfurt Radio Symphony Orchestra, Emilio Pomarico (2013) 
FLAC (tracks) 24 bit/44.1 kHz | Time – 50:39 minutes | 444 MB | Genre: Classical, Avant-Garde
Studio Master, Official Digital Download | Source: highresaudio.com | @ ECM Records GmbH
Recorded: October 2009 at Sendesaal des Hessischen Rundfunks, Frankfurt

For all practical purposes, Morton Feldman’s Violin and Orchestra resembles an anti-concerto, insofar as the soloist’s role is minimized and frequently buried within the heavy textures of the orchestra, rather than featured prominently before it. The violin part consists almost entirely of static, minimal gestures, and short groups of pitches, offering neither displays of technical virtuosity nor soaring melodies in the manner of traditional concertos. Yet despite its apparent lack of any themes and severely restricted activity, it is nonetheless the focus of this piece, and Feldman’s thick and often dark orchestral textures are given a rarefied quality through the violin’s fluctuating presence. Violinist Carolin Widmann demonstrates great stamina and patience in this 50-minute work, and it seems to hang together largely through the strength of her playing. The Frankfurt Radio Symphony Orchestra, led by Emilio Pomàrico, produces a full, rich sound and seems well-rehearsed, though Feldman’s writing is desultory and disconnected from the violin part, so there is a kind of built-in looseness that will frustrate the goal-oriented listener. However, this piece is like many other compositions by Feldman, requiring suspension of expectations to let it flow by and create its fleeting impressions. ECM’s reproduction is clear and palpably close, so everything can be heard clearly at a high enough volume, though because this is a Feldman work, a low setting might contribute to its effectiveness. –AllMusic Review by Blair Sanderson

Tracklist:
Morton Feldman (1926–1987)
Violin and Orchestra (1979)
1. Violin and Orchestra 50:39

Personnel:
Carolin Widmann, violin
Frankfurt Radio Symphony Orchestra
Emilio Pomàrico, conductor

Download:

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Wolfgang Amadeus Mozart – Fantasia K.396; Piano Sonatas K281, K282 & K576 – Alfred Brendel (2005/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 55:12 minutes | 0,99 GB | Genre: Classical
Studio Master, Official Digital Download | Source: highresaudio.com | @ Decca
Recorded: Jugendstiltheater, Venna, 29 June-10 July 2004

The sonatas on this album are considered to be harder than most Mozart piano sonatas because they present a few more technical challenges, such as ornaments at the beginning of the melody or contrapuntal entrances of the theme, than his other sonatas. Alfred Brendel makes these challenges sound oh-so-easy and natural. His is a graceful Mozart with many detailed shadings, despite his occasionally playing with more forcefulness than is necessary and not as subtly as it could be. The opening of the Sonata in E flat, K. 282, and the Fantasia, K. 396, have similarities in their slow, meandering, but not random, temperaments. Brendel gives the minuets of the E flat sonata more idiosyncratic humor than one expects of a stately dance. The Sonata in D major, K. 576, is particularly elegant. He doesn’t make too much of the hunting call at the very beginning of the first movement’s main theme, but keeps it in proportion with the rest of the theme, and he handles all the contrapuntal entrances of that same theme as if they were part of a full-fledged fugue. Brendel recognizes the Classical refinements of Mozart’s sonatas and combines those with a little coloring to give them more depth and character. –AllMusic Review by Patsy Morita

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Piano Sonata No. 3 in B flat major, K. 281 (K.189f)
1. 1. Allegro 04:55
2. 2. Andante amoroso 04:57
3. 3. Rondeau (Allegro) 05:05
Piano Sonata No. 4 in E flat major, K. 282 (K. 189g)
4. 1. Adagio – Molto allegro 05:35
5. 2. Menuetto I-II 04:32
6. 3. Allegro 03:12
Piano Sonata No.18 in D, K.576
7. 1. Allegro 05:15
8. 2. Adagio 05:19
9. 3. Allegretto 04:34
10. Fantasia In C Minor, K396 (Fragment) 11:44

Personnel:
Alfred Brendel, piano

Download:

http://www.datafile.com/d/TVRNME1qazBOVFEF9/MozartFantasiaK.396PianoSonatasK281K282K576Alfr3dBr3nd3l20059624.part1.rar
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Wolfgang Amadeus Mozart – Opera Arias and Overtures – Elizabeth Watts, Scottish Chamber Orchestra, Christian Baldini (2015) 
FLAC (tracks) 24 bit/96 kHz | Time – 61:48 minutes | 1,1 GB | Genre: Classical
Studio Master, Official Digital Download | Source: LINN | @ LINN Records
Recorded: June 2013 at Usher Hall, Edinburgh, Scotland

The Scottish Chamber Orchestra has established impeccable Mozartian credentials and its previous forays into operatic repertoire have been highly critically acclaimed. Conductor Christian Baldini makes his recording debut with the orchestra in this repertoire that is so close to his heart. They are joined for the arias by award-winning soprano Elizabeth Watts who uses her considerable Mozart experience to create highly memorable performances.

This 2015 audiophile release on Linn Records features soprano Elizabeth Watts in celebrated arias from the operas of Wolfgang Amadeus Mozart, along with overtures from the same operas, performed by Christian Baldini and the Scottish Chamber Orchestra. For newcomers to Mozart, this program will be a delightful introduction, not only because the overtures will be recognizable in many cases, but the arias will give these listeners a generous sampling of the vocal styles found in each work. Aficionados of the operas will find this hybrid SACD appealing for the opportunity to hear Watts, who is better known for her recordings of Romantic lieder. Her bright and flexible voice is wonderful in Mozart, and the clarity of her diction makes her singing easy to follow, though the booklet provides the texts with translations. The orchestra plays modern instruments, though it often sounds like a period ensemble, due to the clean string playing and the distinctive tone colors of the woodwinds and brass. This disc invites repeated listening and is highly recommended. –Blair Sanderson, AllMusic

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Le nozze di Figaro K492
1 Act 1 No 1: Overture[4’12]2 Act 4. Recitativo – Aria: Giunse alfin – Deh vieni non tardar[4’45]Idomeneo K366
3 Act 1: Overture[4’32]4 Act 1 Recitative and Aria: Quanti mi siete intorno – Padre, germani, addio![4’31]Don Giovanni K527
5 Act 1 No 1: Overture[5’49]6 Act 1, Aria: Batti, batti[4’06]7 Act 2, Aria: Vedrai, carino[3’31]La clemenza di Tito K621
8 Act 1: Overture[4’30]9 Act 2, Aria: S’altro che lacrime[2’44]La finta giardiniera K196
10 Act 1: Overture[4’40]11 Act 1, Aria: Appena mi vedon[4’27]Così fan tutte K588
12 Act 1: Overture[4’33]13 Act 2 Recitative and Aria: Ei parte – Per pietà[9’28]

Personnel:
Elizabeth Watts, soprano
Scottish Chamber Orchestra
Christian Baldini, conductor

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Wolfgang Amadeus Mozart – Piano Concertos Nos. 9 & 25 – Alfred Brendel, Scottish Chamber Orchestra, Sir Charles Mackerras (2002) 
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:41 minutes | 1,34 GB | Genre: Classical
Studio Master, Official Digital Download | Source: highresaudio.com | @ Decca
Recorded: Usher Hall, Edinburgh, July 2001

Although it is not one of Mozart’s most famous piano concertos, K. 271 in E-Flat is one of his most extraordinary. It is in many ways the first great piano concerto, in the modern sense of the term, and Mozart was just 21 when he wrote it. Melodically rich and full of imaginative touches — like the gorgeous, gentle minuet that lies in the middle of the rollicking finale — the concerto is already vintage Mozart. Ironically, though, it takes musicians of real sagacity to realize its youthful charm. Alfred Brendel, now in his 70s, does not sparkle in this work as he did on his previous recordings, but there is a quiet beauty to his playing now that seems absolutely right. And while he has pared down his sound, there is even more color and subtlety of shading than before. This sensitivity is even more apparent in the C Major Concerto, K. 503, a work bursting with brilliant pageantry. Brendel seems uninterested in the orchestra’s pomp, etching out his part with lyrical dignity — a touching and dramatic effect. Sir Charles Mackerras is a superb partner, and the Scottish Chamber Orchestra plays with heart. Not your usual Mozart, then, and all the better for it.

‘Bet I’m not the only one who had long thought the nickname for the K271 piano concerto written by the 21-year-old Mozart referred to it having been penned by the “young man” genius. When in fact it was the actual last name of a female French pianist for whom Mozart wrote the concerto! Being so early in his ouvre, this concerto has been recorded previously on the harpsichord, which is my personal preference. But Brendel does a fine job of delivering the delicate passages as well as making use of the piano’s greater emotional range in the unusual and extensive ten-minute long Rondo-Finale. This is the only one of his concertos in which Mozart allows the piano soloist to introduce the opening theme of the first movement. No. 25 is of course a more virtuosic work, and both concertos have extensive improvised cadenzas. The piano/orchestral balance is just right. I found these among the most enjoyable Mozart piano concerto recordings I have ever auditioned.’ –John Sunier, Audiophile Audition

‘Brendel’s Mozart has an instinctive rightness and authority rare among pianists of any era. Compared with his Seventies recordings, with Marriner and the ASMF, these new performances are that much more reflective, the tone often leaner but even more subtly coloured than before.’ –BBC Music Magazine

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No.9 in E flat, K.271 ‘Jeunehomme’
1. 1. Allegro 10:39
2. 2. Andantino 13:00
3. 3. Rondeau (Presto) – Menuetto 10:48
Piano Concerto No.25 in C, K.503
4. 1. Allegro maestoso 15:35
5. 2. Andante 08:12
6. 3. Allegretto 09:24

Personnel:
Alfred Brendel, piano
Scottish Chamber Orchestra
Sir Charles Mackerras, conductor

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Release Name: Andrea_Bocelli-Cinema-WEB-2015-ENTiTLED
Artist: Andrea Bocelli
Album: Cinema
Genre: Classical
Year: 2015
Tracks: 16
Duration: 01:01:17
Size: 140.55 MB

Tracklist:

1. Andrea Bocelli – Maria (From "West Side Story") – 3:13 (320 kbps , 7.37 MB)
2. Andrea Bocelli – La chanson de Lara (From "Dr. Zhivago") – 3:15 (320 kbps , 7.44 MB)
3. Andrea Bocelli – Moon River (From "Breakfast At Tiffany’s") – 3:49 (320 kbps , 8.75 MB)
4. Andrea Bocelli – E piu ti penso (From "Once Upon A Time In America") – 4:28 (320 kbps , 10.21 MB)
5. Andrea Bocelli – Be My Love (From "The Toast Of New Orleans") – 2:54 (320 kbps , 6.63 MB)
6. Andrea Bocelli – The Music Of The Night (From "The Phantom Of The Opera") – 3:57 (320 kbps , 9.06 MB)
7. Andrea Bocelli – Brucia la terra (From "The Godfather") – 4:17 (320 kbps , 9.79 MB)
8. Andrea Bocelli – Por Una Cabeza (From "Scent Of A Woman") – 3:22 (320 kbps , 7.7 MB)
9. Andrea Bocelli – No Llores Por Mi Argentina (From "Evita") – 4:24 (320 kbps , 10.07 MB)
10. Andrea Bocelli – L’amore e una cosa meravigliosa (From "Love Is A Many-Splendored Thing") – 3:24 (320 kbps , 7.77 MB)
11. Andrea Bocelli – Mi mancherai (From "Il Postino/The Postman") – 5:06 (320 kbps , 11.67 MB)
12. Andrea Bocelli – Cheek To Cheek (From "Top Hat") – 2:56 (320 kbps , 6.72 MB)
13. Andrea Bocelli – Sorridi amore vai (From "Life Is Beautiful") – 3:22 (320 kbps , 7.71 MB)
14. Andrea Bocelli – Historia De Amor (From "Love Story") – 4:29 (320 kbps , 10.25 MB)
15. Andrea Bocelli – Ol’ Man River (From "Showboat") – 4:07 (320 kbps , 9.44 MB)
16. Andrea Bocelli – Nelle tue mani (Now We Are Free) (From "Gladiator") – 4:21 (320 kbps , 9.97 MB)

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Release Name: The_Manchester_String_Quartet-A_Gothic_Halloween-WEB-2015-ENTiTLED
Artist: The Manchester String Quartet
Album: A Gothic Halloween
Genre: Classical
Year: 2015
Tracks: 12
Duration: 00:51:41
Size: 118.53 MB

Tracklist:

1. The Manchester String Quartet – Theme from Halloween – 2:59 (320 kbps , 6.84 MB)
2. The Manchester String Quartet – A Forest – 4:45 (320 kbps , 10.89 MB)
3. The Manchester String Quartet – Lucretia My Reflection – 4:26 (320 kbps , 10.16 MB)
4. The Manchester String Quartet – Killing Moon – 5:22 (320 kbps , 12.28 MB)
5. The Manchester String Quartet – The Beautiful People – 3:40 (320 kbps , 8.38 MB)
6. The Manchester String Quartet – She Sells Sanctuary – 4:12 (320 kbps , 9.63 MB)
7. The Manchester String Quartet – Love Like Blood – 4:50 (320 kbps , 11.05 MB)
8. The Manchester String Quartet – Psychokiller – 4:27 (320 kbps , 10.17 MB)
9. The Manchester String Quartet – Vampire Heart – 4:37 (320 kbps , 10.57 MB)
10. The Manchester String Quartet – The Witch’s Promise – 4:05 (320 kbps , 9.36 MB)
11. The Manchester String Quartet – Spellbound – 3:20 (320 kbps , 7.63 MB)
12. The Manchester String Quartet – Don’t Fear the Reaper – 5:04 (320 kbps , 11.58 MB)

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